“And then, I think it was like halfway through high school, my mother pointed out to me, she was like, ‘You know, although you love dancing, one of the strongest things that you're good at in school is creative writing assignments. “Originally, I was just a dancer,” he says. The Massachusetts musician credits his mother with this discovery. The way Kwaku tells it, he has always had a knack for writing songs that stick in your head. With the help of his friend Spenser Edmund, a producer in LA, he transformed a mostly acoustic creation by Zbeatz into the foundation of “Stuck,” a shimmery, downtempo vibe that sits in the sweet spot between euphoric and yearning. So, he decided to put his experience into a song. “She was like, 'You didn’t get on TikTok to be a TikToker,'” he says. One of his friends noticed the toll it was taking on him. “I started to feel this pressure and anxiety that every video had to blow up, and if it didn’t blow up, I’m not a good artist or content creator and people don’t like me, and I should just give up,” Kwaku says. (The latest count: 58,800 and growing.)īut the newfound success had its downsides. Soon, he had more followers on TikTok than anywhere else. His manager had been bugging him to try the video-sharing app for years, but it was the boredom of pandemic life that propelled him to the platform. It all started when the 26-year-old started using TikTok during quarantine. The cover of Kwaku's album "Stuck." (Courtesy) But Kwaku says that, in fact, he wrote the song about himself. “Stuck” could easily be addressed to one of them. “And I think sometimes you hate yourself cause you’re stuck to your phone/ I miss when all of your thoughts were your own.”įrom the sibling who scrolls through TikTok over dinner to the friend who presents an idyllic life online but is secretly depressed: we all know someone with an unhealthy addiction to social media. “You love posting all your pictures when you’re down and feel alone,” he sings over a bright acoustic guitar sample.
Bunny keeps you guessing.The singable hook to Kwaku’s “Stuck” conjures an image familiar to anyone with a smartphone. The thrill of the song is wrapped up in how it skirts any pressure to lay out its intentions, how it moves at its own whims. She may be channeling the want to be immaterial, the ability to evaporate like a wisp of smoke, but when she sings “I’m so nonphysical,” it comes with embodied longing, as if she’s aching for touch.
She enters a new dimension in the chorus, switching from narrator to first-person, trading a Drake-like rhythmic delivery for her usual lithe, crystalline singing. Meanwhile, as if recreating the slipperiness of Bunny, Polachek darts through various images (blazing fireworks, a wet palette, a cut check), never resting long enough for you to grasp what’s next.
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It’s a characteristic display of PC Music alum Harle’s impulse to simultaneously send-up and pay homage to popular forms, with results too deliciously crisp to read as a joke. –Puja PatelĬasting off the gossamer avant-pop of 2019’s Pang, Polachek and producer Danny L Harle opt for a sound that is both commercial and weird: a deep, juicy bassline befitting of the Top 40, a “ yoo hoo” whistle, a sample taken from Harle’s giggling baby, even marimba plinks that conjure an island vacation with Kygo. It’s a one-act play of existential malaise and a sardonic anthem for those who can't help but seek out the spotlight. There’s some humor to it all forlorn, she recognizes that the world never stops turning, and that it’s fine to lie to ourselves if it helps pass the time. The song unfolds as a balancing act of vulnerability and expectation, of altruistic self-expression and the vanity of wanting to be seen, or even adored. “Working for the Knife" is her brooding, melancholic first major single back from this respite, and acts as an incisive warning about how much of our identity we give to our life’s greatest undertakings, and who we’re giving it up for. After a long and grueling world tour supporting her breakthrough album Be the Cowboy, the singer took time off in 2019, saying she needed a break from the “constant churn” of performance. Mitski would like to have a word on that. The saying goes that if you do what you love, you’ll never have to work a day in your life.
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